The real peak of the story comes with the appearance of Amarantha's childhood friend, Thalia (a manic pixie nightmare of a girl, played to delirious perfection by Mary-Kate Arnold). Though Amarantha trusts her implicitly, the audience soon finds that she's got treachery in mind and at once, she sets to work to destroy the queen's reputation. In the aftermath of her friend's terrible betrayal, Amarantha flees with her lover in hopes of a different life; but while she is away, Thalia is wreaking mad havoc on the kingdom, using Roderigo as her pawn. When word reaches Amarantha, she has to choose between remaining free or taking back her kingdom, coming to her cousin's rescue, and clearing her name. I was completely enthralled by the story and the performances. And the set, though simple, was also versatile: it doubles as crumbling ruins and a lavish, shadowy throne. Meanwhile, the costumes were both extravagant and occasional props for comic relief.
Begale is compelling and believable as the tomboyish queen, and her performance never waivers. I actually recalled seeing her in a previous show, The All-American Genderf*ck Cabaret, back in 2012 at Mary's Attic, and the reason I remembered her was because she stood out as especially talented. Here, she is equally credible and I imagine her going places.
Similarly, of the remarkable cast, another stand-out performance was that of Arnold. She brings the devious Thalia to life in such a way that the character is, in equal part, charismatic and terrifying.
This show doesn't run much longer; if you get a chance to see it, don't pass it up!